Harmony Korine, who cut his teeth on the very independently
spirited likes of Kids and Gummo, returns with the Disney-defiling Spring
Breakers. It’s the tale of four young women who decide to cut loose on spring
break and take the depraved holiday to new extremes. To set out ones stand
early on, Spring Breakers is a turgid mess of a film. On a base level the film
is a dirty slate of glaring errors. Korine’s script is an utter shambles only
further crucified by dire delivery from the unredemptive female leads. Spring Breakers' lens is that of a pervert making the film a leering exercise in salaciousness
that reduces any viewer of decent sensibilities to feeling foul and sullied.
![]() |
| How could that not be a good film? |
Spring Breakers worst mistake is to believe it’s holding a
mirror up to the likes of modern chauvinist trash such as Project X or The
Hangover films whereas it is in fact holding up a frame. A frame, which through
we see the same trite, misogynist filmmaking that we’ve come to hate and
condemn. Pervy, ignorant, filmmaking is one thing. Pretentious pervy, ignorant
filmmaking is something else entirely and something even harder to stomach.

No comments:
Post a Comment